She was born in Budapest (Hungary). IN 1994 she entered Voronezh ballet school. In 2001 she was awarded the diploma at the IX at the International competition of ballet dancers and choreographers in Moscow (junior group, soloists) and continued her studies at Moscow State Choreographic Academy (class of Tatyana Galtseva). After graduation in 2003 she joined the Ballet Company of the Bolshoi Theater.
Her teacher-repetiteur is Svetlana Adyrkhaeva.
She was born in Budapest (Hungary). IN 1994 she entered Voronezh ballet school. In 2001 she was awarded the diploma at the IX at the International competition of ballet dancers and choreographers in Moscow (junior group, soloists) and continued her studies at Moscow State Choreographic Academy (class of Tatyana Galtseva). After graduation in 2003 she joined the Ballet Company of the Bolshoi Theater.
Her teacher-repetiteur is Svetlana Adyrkhaeva.
2003
Three swans (Swan Lake; choreography by Alexander Gorsky, Marius Petipa, Lev Ivanov in the 2nd version by Yuri Grigorovich)
2004
Maids of honor (The Sleeping Beauty by P.Tchaikovsky, choreography by M. Petipa, Y. Grigorovich version)
Queen of the Dryads (Don Quixote by L.Minkus, choreography by Marius Petipa, Alexander Gorsky in the version by A. Fadeechev)
Girls (Yuri Krasavin’s Magrittomania; choreography by Yuri Posokhov)
Role in Concerto Barocco (to music by Johann Sebastian Bach, choreography by G. Balanchine) — was among the creators of the ballet at the Bolshoi Theatre
Two pairs in part II (Symphony C-major to music by G. Bizet, choreography by G. Balanchine)
Sylphs (Herman Levenskiold’s La Sylphide; choreography by August Bournonville in a version by E.M. von Rosen)
Sweet pea (A Midnight’s Summer Dream to the music of F. Mendelssohn Bartholdy and G. Ligeti, choreography by John Neumeier) — creator of the role at the Bolshoi theater
Grand Pas (La Bayadere by L. Minkus. Choreography by M. Petipa in the version of Y. Grigorovich)
2005
Raymonda’s Dreams scene (Raimonda by A.Glazunov. Choreography by M. Petipa in the version of Y. Grigorovich)
Three dryads (Don Quixote)
Doom (Carmen Suite to music by Bizet-Shchedrin, A. Alonso production
2006
Sunflowers and horses (was among the creators), Winter, waltz soloists (Snow White by S. Prokofiev, choreography by Y. Posokhov, production by Y. Borisov)
Two fashionable pairs (The Golden Age by D. Shostakovich. Production by Yuri Grigorovich)
Friend to Giselle (Giselle by A. Adam; choreography by Jean Coralli, Jules Perrot, Marius Petipa in the version by Yuri Grigorovich)
Hungarian bride (Swan Lake)
2007
Final Waltz and Apotheosis (Nutcracker, by P. Tchaikovsky, choreography by Y. Grigorovich)
Court dancers (A Legend of Love. Music by Arif Melikov, production by Yuri Grigorovich)
Soloist (In the Upper Room. Music by Philip Glass. Choreography by Twyla Tharp)
2009
La Priere (Coppelia. Choreography by M. Petipa and Enrico Cecchetti; revival and new choreographic version by Sergei Vikharev)
Pair in green (Russian Seasons. Music by Leonid Desyatnikov, choreography by Alexei Ratmansky) — debut on the Bolshoi Theatre tour in St. Petersburg
2010
Friends to Juliet (Romeo and Juliet by S. Prokofiev, production by Yuri Grigorovich)
Quintet (Herman Schmerman to music by Thom Willems; choreography by William Forsythe)- creator of the role at the Bolshoi Theatre
Soloist in The Rubies (Part II of Jewels, music by I.Stravinsky, choreography by G. Balanchine)
2011
Role in Remansos (music by Enrique Granados, choreography by Nacho Duato)
Role in The Symphony of Psalms to music by I. Stravinsky (choreography by Jiri Kylian) —
2012
The second Odalisque (Le Corsaire by A. Adam. Production and new choreography by Alexei Ratmansky and Yuri Burlaka after Marius Petipa)
Title role in The Diamond (Part III of Jewels, music by P. Thcaikovsky, choreography by G. Balanchine) — participant of the opening night performance at the Bolshoi Theatre
Four pairs (Classical Symphony to music of S. Prokofiev, choreography by Y. Possokhov)
Duet (Dream of Dream to music of S. Rachmaninoff, choreography by J. Elo)
In 2011 she participated in the joint project of the Bolshoi theater and the Californian Segerstrom Center for the Arts (Remansos to music by E. Granados, Nacho Duato production)